Las óleos de todo Jean antoine Watteau


ID Image  Painting (From A to Z)       Details 
67608  
Jean antoine Watteau, Antoine Watteau
 
 Antoine Watteau   Technique English: Oil on canvas Deutsch: Öl auf Leinwand Italiano: Olio su tela Polski: Olej na płetnie Dimensions 51,3 X 59,4 cm
67615  
Jean antoine Watteau, Antoine Watteau
 
 Antoine Watteau   Technique Oil on canvas Dimensions 97 X 116 cm (38.19 X 45.67 in)
56710  
Jean antoine Watteau, avfarden till kythera
 
 avfarden till kythera   mk248 kytbera ar i grekisk myt den karlekens o dar afrodite foddes, ocb dit pilgrimer beger sig ocb aldrig aterses, den pastorala miljon antyder orealistiska drommar om att undfly formalismens tvangstroja till forman for spontanitet. spanningen mrllan bikdens alskande ar subtil daras kroppskontakt framstar som flyktig men drakternas siden ocb sammet ar f orforiskt taktilt atergivna.
68774  
Jean antoine Watteau, Das Ballvergnegen
 
 Das Ballvergnegen   ca. 1717(1717) Oil on canvas 52.7 X 65.7 cm (20.75 X 25.87 in)
69056  
Jean antoine Watteau, Das Ballvergnegen
 
 Das Ballvergnegen   c. 1717 oil on canvas
68865  
Jean antoine Watteau, Das Liebeslied
 
 Das Liebeslied   51,3 X 59,4 cm Oil on canvas c. 1717
91039  
Jean antoine Watteau, Der Gleichgutige
 
 Der Gleichgutige   Oil on canvas Dimensions 26 x 19 cm (10.2 x 7.5 in) cyf
68777  
Jean antoine Watteau, Der Tanz
 
 Der Tanz   c. 1710-1720 oil on canvas 97 X 116 cm (38.19 X 45.67 in)
69065  
Jean antoine Watteau, Die italienische Komodie
 
 Die italienische Komodie   c. 1718 oil on canvas Deutsch: 37 X 48 cm
70955  
Jean antoine Watteau, Die Schafer
 
 Die Schafer   Medium Oil on canvas Dimensions 56 x 81 cm
53833  
Jean antoine Watteau, Figures from the Italian Commedia dell arte
 
 Figures from the Italian Commedia dell arte   mk234 probably 1720 63x76cm
68448  
Jean antoine Watteau, Franzosische Komodianten
 
 Franzosische Komodianten   ca. 1720(1720) Oil on canvas 57 ?? 73 cm (22.44 ?? 28.74 in)
26627  
Jean antoine Watteau, Gersaint s Shop Sign
 
 Gersaint s Shop Sign   mk53 1720-1 Oil on canvas 166x306cm Berlin,Schloss Charlottenburg
56711  
Jean antoine Watteau, gilles
 
 gilles   mk248 det ar mojligt att eatteau malade dan bat duken som reklamskylt till det cafe som agdes av belloni. en skdespelare som spelade den melankoliske commedia dell arte gestalten pierrot. genom att stalla den allvarsamme gilles i kontrast med bakgrundens uppsluppna gestalter placerar watteau bonom i en egen, isolerad ocb farflos varld. vid det bar verkets tillkomst var eatteau svart sjuk i tuberkulos ocb sannolikt mycket medveten om det faktum attalla varldens gladjeamnen ar snabbt overgaen de.
76040  
Jean antoine Watteau, Happy Age. Golden Age
 
 Happy Age. Golden Age   oil on panel painting by Jean-Antoine Watteau cyf
97356  
Jean antoine Watteau, Les Champs Elysees
 
 Les Champs Elysees   between 1717(1717) and 1718(1718) Medium oil on panel cyf
91122  
Jean antoine Watteau, Les Charmes de la vie
 
 Les Charmes de la vie   1718(1718) Medium oil on canvas cyf
72602  
Jean antoine Watteau, Les deux cousines
 
 Les deux cousines   Les deux cousines, c. 1717-1718, Musee du Louvre, Paris cjr
57268  
Jean antoine Watteau, Pierrot
 
 Pierrot   mk255 for in the years 1718-1719. 1.85 x 1.50 meters canvas. Paris, the Louvre
57267  
Jean antoine Watteau, The base Shirra island goes on a pilgrimage
 
 The base Shirra island goes on a pilgrimage   mk255 for in 1717. Canvas 1.29 x 1.94 meters high. Paris, the Louvre
42066  
Jean antoine Watteau, The rest in the flight to Egypt
 
 The rest in the flight to Egypt   mk166 1715 I Wave on cloth 129x98cm Museum of the Ermitage, San Petersburgo
66058  
Jean antoine Watteau, Vergnegen im Freien (Amusements champetres), Detail
 
 Vergnegen im Freien (Amusements champetres), Detail   c. 1718 Oil on canvas

Jean antoine Watteau
French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume



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